ISSUE 8 FEBRUARY 2004


Features

Foley Track
DP Jack Foley on professionals, volunteers, and Star Wars fans (read more)

Playing It 'Zaf'
CG Artist Zafer 'Zaf' Mustafa learns some new tricks (read more)

Datastream
REVELATIONS on the web and what's new for the cast & crew (read more)

Anatomy of a Studio Shoot
Take a look behind the camera and see what it takes to shoot an action sequence in a greenscreen studio (read more)

Third Rock From the Sun
A scenic tour of the REVELATIONS galaxy (read more)

Con Encounters
Catch the new REVELATIONS trailer at Farpoint Con (read more)

REVELATIONS Select
A sneak peek at a scene in progress


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Work in progress
Zhanna's office revisited

Way back in Issue 2, we took a look at a scene in Zhanna's office in its very early stages. Now that it's finished, take another look.

First, Karen (Zhanna) and Gina (Taryn) were filmed in the studio against a greenscreen.

Gina is specially lit as she will be seen "live" in her ship for this exchange as well as being a holographic projection.

Two plates, or backgrounds, were created -- one for Taryn's cockpit, which was placed behind Gina, another for Zhanna's window, which also acts as her viewscreen. A night view of Coruscant can be glimpsed behind Taryn's plate.

Finally, Karen is composited in and the shot is complete.


Plus

Putting it Together
Solve the puzzle to see a behind-the scenes picture.(puzzles)

Shop 'Til You Drop
The REVELATIONS thong. Spat shouldn't be the only one sporting it. Support us and we'll support you. On-line store

In the March Extra
Meet the composer of the music featured in the bar scene. See the evolution of a 'droid doorman/bouncer from concept sketch to final composite. Plus a con report from Farpoint -- find out how the trailer and our panels did!

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